occupation [2011/2013]
4:26 min, Salt Lake City
concept/edit - Tanja London
performance - Rachael L. Shaw, Laquimah Van Dunk
camera - Jake Keenum, Tanja London
building footage - Ian McMurray/Utah High Def
sounds - BBC Global News, NPR Marketplace, Associated Press, Mike Koenig, Stephan Schutze, Ruin, Wel
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This Screendance explores a state of ‘uprootedness’ in the continuing context of events following the Iraq War and the 2008 World Financial Crisis. The film utilizes the metaphor of a historic building and its astonishing relationship to its foundation to illustrate the second wave of erosion of American Democracy after 9/11.
KAPTAL [2016]
7:42 min, Düsseldorf/Germany
Movement Dramaturgy & life show concept -Michael Schmidt /tatraum projekte Schmidt
film concept Tanja London
directed by/camera Tanja London, Cornelius Schaper
performance Miriam Gronau, Lena Visser, Nona Munnix, Micha Purucker, Rolf Schulz
soundscapes Ansgar Tappert, Tanja London
sponsored by Ministry of Culture of the City of Düsseldorf, Ministry of Family, Children, Youth, Culture, and Sport of North-Rhine Westphalia, Germany
The Screendance KAPITAL asks what the actual capital of a democratic society is and if capitalism is the premise for democracy. The film plays with construction sight fences as to demonstrate the potential of capital on one side and the exclusion and burden it brings with it on the other. These performative explorations and experiments for a social form in development were created for the 2016 Theater Dance Production “Salon de la Démocratie or Capital and … “ in collaboration with tatraum projekte schmidt in Düsseldorf/Germany.
http://www.tatraum.de
UNDERNEATH [2020]
28:09min, San Francisco
artistic collaborators
concept/edit Tanja London
performance Erik Wagner
Tanja London
camera/lighting Camila Magrane
text/video excerpts Justin Watson
‘2 entities sharing Ideology’
breast bricks Jenny Page
sound qualia-c/reciting a norse healing song
commissioned by ProArts Gallery/Oakland
location Old Mint Building/SF
sponsored by National Endowment for the Arts
Pete Glitchstern
Tanja London
Erik Wagner
Camila Magrane
This Screendance takes a closer look at the behavioral impact of inherited stress and trauma. It investigates what roles fear, anger, guilt, shame, as well as learned behavior play in the rise of extreme leadership, and hints towards that war, violence and inequality are human habit rather than human nature.
In ‘UNDERNEATH’ the performers grapple with holding two spaces, that of white privilege, and a reckoning with its history of cruelty - past and present. It is an attempt to find pathways to avoid repeating history and changing habitual patterns. The perspectives of the performers form the lens of this investigation: A German, bisexual woman descendent of parents who were children in the Second World War, and a queer man. The artists bring into focus the privilege white skin provides and the weight of its inheritance.
They emphasize the transformation needed in order to overcome habitual patterns of Otherness and the perpetuation of power structures including systemic violence ranging from oppression to self harm to armed conflict.